Around the late 90s, Manhattan was gaining prominence as a “drinks wasteland.” With little variety, the art of making and inventing cocktails had taken a backseat. A Cosmopolitan was as sophisticated as it could get before the Appletini came along. In a time when men dominated the scene behind the bar, a woman made her way to the forefront and revolutionised the art of making craft cocktails. Her name was Audrey Saunders.
In a world satisfied with flavoured vodka, she gave gin prominence. Bitters found their way back and fresh juices replaced the widely prevalent pre-made mixers. She was the one roasting fresh tomatoes for a Bloody Mary and grilling pineapples. After working at various bars, Saunders’ opened Pegu Club in 2005. Located on West Houston Street, it became her laboratory and Little Italy was one of her creations.
Little Italy was one of the cocktails she crafted to re-introduce rye whisky which was gradually disappearing. It is a concoction of rye whisky and two classic Italian aperitifs, vermouth and Cynar. This cocktail is strong with a bitter edge. It has a herby taste and the bitterness is refreshingly surprising. Little Italy is the perfect balance of sweet and bitter with the right amount of whisky, leading to a dense flavour.
For the classic drink, combine 30 ml rye whisky with 15 ml Cynar and 22.5 ml sweet vermouth. After a good stir along with some ice, strain it into a chilled cocktail glass. Garnish with two maraschino cherries with a little extra syrup. For an interesting add-on, you can try a flamed wide strip of orange zest. It finishes the drink off pleasantly.
While in Tokyo a couple of years ago, I walked into Bar Helissio for an afternoon tipple.
In the world of whisky cocktails, a Rattlesnake won’t kill you with its bite. Rather, its ‘poison’ will leave you happily inebriated. The Rattlesnake cocktail is an interesting mix of contrasting flavours—whisky, egg white, syrup and lime—perfectly balancing out each other. There are subtle differences in the drink when it is mixed with different whiskies and syrup.
When the Austrian maestro, Wolfgang Amadeus Mozart, composed a comic opera by the name of The Marriage of Figaro in 1786, he took inspiration from Pierre-Augustin Caron de Beaumarchais’s 1784 play of the same name. Little did he know that it’d find a namesake in a suave whisky cocktail.